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Two strangers, a man and a woman, wake up with their stomachs sown together and seek out the person responsible. Today, normal people know just what to expect, and avoid.
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Five years ago, anyone reading that line would have been perplexed.
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IMDb’s (Internet Movie Database) logline for the film completely bypasses the impossible, ridiculous concept to focus on the “deeper” issue: “When a successful ad executive … becomes pregnant, he’s forced to confront social inequities he’s never considered before” - yeah, like his being a scientific freak. A quick look at some new Netflix Original titles may solve the mystery of the vanishing viewership.Ī man becomes pregnant, but that’s not the main premise. The result was no Springtime for Hitler–style success but a total collapse, beyond Max Bialystock’s wildest dream. And rather than become a welcome alternative to struggling mainstream studio fare, it exceeded even their virtue-signaling wokeness. The recent flight of customers from Netflix - 200,000 at last count - suggests the company may be selecting properties from Mostel’s script pile.ĭeluded by the COVID-captive audiences of the past two years, Netflix miscalculated both the durability of streaming and viewer interest in its product. Gregor Samsa awoke one morning to discover that he had been transformed into a giant cockroach.” Mostel pauses for a precious millisecond then shakes his head and says, “Too good,” tossing away the script. “We’ve got to find the worst play ever written.” A moment later, he contemplates a possible winner-loser ( The Metamorphosis by Franz Kafka). Of the many brilliant, hilarious gags in Mel Brooks’ classic The Producers (1967), my favorite is the one where theatrical producer Zero Mostel and his accountant partner, Gene Wilder, have been up all night delving through a stack of scripts in order to find a surefire Broadway flop.